Allison Williams and Riz Ahmed did an admirable job of pronouncing names and film titles at Tuesday morning’s Academy Award nominations telecast, but there’s usually one moment in the annual list reading that gets people talking. This year, that would be “My Year of Dicks,” the Sara Gunnarsdottir short that nabbed a best animated short nod…
Daft Punk’s Thomas Bangalter Announces Solo Album — and Reveals His Face for the First Time
Thomas Bangalter, half of the pioneering French electronic duo Daft Punk, who announced their split in 2021, has announced his first orchestral solo album — and has revealed his face for the first time in a public context, albeit as a realistic illustration. Daft Punk were famously anonymous, performing and appearing in public wearing elaborate…
John Williams, Son Lux Among Oscar Score Nominees; Female Composers Are Shut Out
Ninety-year-old John Williams received his 53rd nomination, and a team of composers was nominated for original score for only the eighth time in Oscar history during this morning’s Academy Awards nominations. Yet, despite the presence of two women and three African-American composers on this year’s 15-film shortlist, none made the final five. So Chanda Dancy…
South Asia Focused ProducerLAND Initiative Sets Project Accelerator, Reveals Mentors (EXCLUSIVE)
ProducerLAND, a curated training and networking program for producers from South Asia, is bowing Ascent – a project accelerator designed to help experienced producers by providing them with global expertise and support to maximize their project’s potential. Ascent is an immersive three-module program where six selected producers will develop their projects for international markets and audiences. The…
‘The Last of Us’ Creators on THAT Clicker Moment, Flour Theories and Changes From the Game: ‘If People Are Upset, I Don’t Blame Them’ (EXCLUSIVE)
SPOILER ALERT: This interview contains spoilers from Episode 2 of “The Last of Us,” now streaming on HBO Max. The latest episode of HBO’s “The Last of Us” has unleashed a terrifying creature that would make even the Demogorgon from “Stranger Things” squirm. The monstrous, infected clickers made their TV debut in Episode 2 of “The…
‘Going Varsity in Mariachi’ Sundance Documentary Showcases Competitive High School Mariachi
In 2019, while filming a project along the US-Mexico border in Texas, directors Sam Osborn and Alejandra Vasquez came across one of the first fully sanctioned University Interscholastic League State Mariachi Festivals, where high school mariachi bands perform at the same competitive level as students in cheer, football, and marching band. The duo was surprised…
Planned Parenthood Rallies Sundance on 50th Anniversary of Roe v. Wade: ‘Stories Are How We Get Our Rights Back’
The in-person return of Sundance sparked joyous reunions on the ground in Utah this week, but it’s not all celebrations. The industry confronted a troubling milestone on Sunday in Park City: the 50-year anniversary of the historic Roe v. Wade decision that gave women the constitutional right to an abortion. Last June, the U.S. Supreme…
Jennifer Connelly Says Tom Cruise Deserves Oscar Nom for ’Top Gun: Maverick‘ Performance: ‘He’s Extraordinary’
Jennifer Connelly starred in one of the biggest movies of 2022, “Top Gun: Maverick,” as badass bar owner Penelope Benjamin, who has a love connection with Tom Cruise’s Maverick. Cruise’s name has been kicked around as a potential dark horse best actor Oscar nominee, and Connelly told Variety that the nod would be well-deserved due…
Vivica Fox Rallies for ‘Kill Bill 3’: ‘Quentin, Let’s Go!’
Vivica Fox knows “Kill Bill” fans are ready for “Vol. 3.” “People are hungry,” she said at the Variety Studio presented by Audible at Sundance. “Quentin [Tarantino], let’s go!” Fox portrayed Vernita Green in Tarantino’s 2003 martial arts revenge drama “Kill Bill Vol. 1” and the 2004 sequel “Vol. 2,” opposite Uma Thurman and Lucy Liu. The first…
Film Festivals – and All Movie Theaters – Need Open Captions (Guest Column)
Filmmaker Alison O’Daniel appears in the Next section of the Sundance Film Festival with “The Tuba Thieves,” an innovative feature commentary on deafness. Here, she writes about the agony of closed-captioning at film festivals, and the long-overdue adoption of open captions for all movie theaters worldwide. I am the writer-director of “The Tuba Thieves,” a…