Oliver Wood, an English cinematographer whose credits include “Die Hard 2,” “Face/Off,” “The Other Guys” and the original “Bourne” trilogy, died Monday, Feb. 13, at his home in Hollywood following a battle with cancer. He was 80. With a career spanning across seven decades, Wood worked across a wide variety of projects, collaborating with directors…
‘Manodrome’ Review: Jesse Eisenberg Glowers His Way Through Reductive Look at Modern Masculinity
The first rule of “Manodrome” is you don’t talk about “Fight Club.” “Fight Club” looms large over writer-director John Trengrove’s unsettling second feature, even if no one overtly mentions David Fincher’s provocative late-’90s movie in this dark psychological-thriller-cum-social-critique, which finds the state of masculinity even more fraught than Fincher did a quarter-century ago. Trengrove, who…
Berlin Hosts a Carlos Saura Tribute with Screenings of ‘Rosa, Rosae’ and ‘Walls Can Talk’
He was working to the last. Five days before his latest work, “Lorca by Saura,” opened at Madrid’s Infanta Isabel Theater – in what he saw as a new phase of theatre-based creativity – Carlos Saura died on Feb. 10 at his Collado Mediano home in the lap of the Guadarrama mountains, north of Madrid. Agnieszka…
Brazil: 10 Next Gen Talents to Track
Breaking out of traditional, male, Rio de Janeiro/São Paulo strongholds to finally embrace regional, Black and Indigenous writer-directors, Brazil’s next generation of cinematic talent tackles a huge gamut of themes, styles and concern about social issues. Variety profiles 10 figures who look set to help shape the future of Brazilian filmmaking. Caru Alves de Souza…
Projeto Paradiso: Making a Difference for New Talent
In subscription terms, Brazil rates as the Netflix’s second-biggest market in the world, with a 2022 year-end estimate of 16.4 million subscribers, says Ampere Analysis’ Guy Bisson. “The market is huge and the talent outstanding,” agrees Fremantle’s Manuel Marti. As Brazil shapes up as Latin America’s ground zero for streamer wars, where do you find…
‘Euphoria,’ ‘White Lotus’ Star Sydney Sweeney Consulted Real Life Whistleblower for Berlinale Title ‘Reality’: ‘This Is a Dream for an Actor’
“Euphoria” and “The White Lotus” star Sydney Sweeney communicated with the real-life Reality Winner to portray her in Tina Satter’s “Reality,” which world premieres at the Berlin Film Festival. The film, which contains verbatim dialogue from the unedited transcript of an FBI audio recording, follows a tense 90 minutes in the life of whistleblower Winner…
‘The Adults’ Review: Michael Cera Leads a Sad, Subdued Study of Estranged Siblings Coming Together and Falling Apart
Depending on the state of your own family network, the relationship between the trio of grown siblings at the center of “The Adults” may strike you as intensely, skin-crawlingly familiar or quite desolately alien. Either way, Dustin Guy Defa’s determinedly quiet family-reunion drama seeks to be discomfiting, gradually giving the viewer that hollow, lurching, pit-of-the-stomach…
SAG Awards Preview: Oscar Comparisons, A New Ceremony Streaming Format and More
The 29th annual SAG Awards, at which actors honor their peers, is set for 5 p.m. PT/ 8 p.m. ET Feb. 26. While the ceremony will take place at the Fairmont Century Plaza in Los Angeles, the show will be livestreamed on Netflix’s YouTube channel for all to watch. Variety offers a primer on the…
‘Quantumania’ Post-Credits Scenes Finally Bring Marvel’s Multiverse Saga Into Sharper Focus
SPOILER ALERT: This story discusses major plot points, including the ending and the post-credits scenes, for “Ant-Man and the Wasp: Quantumania,” currently playing in theaters. At this point, even casual followers of the Marvel Cinematic Universe are likely aware that “Ant-Man and the Wasp: Quantumania” launches Phase 5 of the MCU. What that means is…
Hong Kong’s Soi Cheang Says Murderous ‘Mad Fate’ Is his Most Inspirational Film to Date
The Berlin Film Festival is once again finding house room for Hong Kong’s most commercially successful enfant terrible, Soi Cheang, aka Cheang Pou Soi, who previously brought film noir “Limbo” to the Berlinale. This time he attends with “Mad Fate,” a film about destiny that may be Cheang’s most bloodthirsty, but which the director says…