Using clean lines, a controlled color palette and a flattened 2D drawing style, Sepidah Farsi’s engrossing Berlin Panorama opener “The Siren” paradoxically creates a story rich with dimensional detail and riven with the tragedy of war. Much like Marjane Satrapi did with 2007’s “Persepolis,” Farsi uses animation as a way to set the acutely painful […]
Music